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Darrin Verhagen

Darrin’s work uses sound, motion simulators, 4D cinema seating, light and VR  to create and audit works that explore the relationship between hearing, vision, movement and vibration. 

Darrin’s postgraduate research has focused on musical extremes – the delicate instability of lowercase sound for his Masters, and the brutality of Noise for his Doctorate.

His soundtrack practice features music and sound designs for contemporary dance, theatre, installation, film, television and computer games. He has released over 20 albums of material internationally, traversing a range of styles, and performs his audiovisual live shows locally and internationally.